Clothworkers’ Company and Foundation

A programme of design…

Cleaning, stretching, teaselling and shearing: the original, strictly-defined craft of finishing woollen cloth no longer exists. But its City Livery Company The Clothworkers’ Company lives on, engaged in membership, affiliations, charity, hospitality and the very modern business of being a crafts patron and funding innovative textiles research. It also has a charitable organisation, The Clothworkers’ Foundation.

Following a visual identity update, The Clothworkers’ Company has been keen to bring its communications into line. Our initial brief was to look at the flipped format annual review for The Clothworkers’ Company and Clothworkers’ Foundation, at picture sourcing and at a new user interface for the members’ area of the website.

On the annual review, I went deeper than simple brand consistency by working out how to make the two organisations’ brands play nicely together while telling distinct stories about their work, in different tones of voice. I did this by creating a single design framework, making a subtle adjustment to colour and by paying attention to type style and behaviour across the two brands and between print and web. I also brought format and texture into the brand, to reflect the craft values at its heart in a subtle way, choosing a more bookish format, tactile paper and a rigorous production process.

The members’ area web interface was to be elegant, usable and provide a system for navigating different kinds of information. Nothing unusual there – but it also had to be achievable within the constraints of a membership management system. So early discussion and regular dialogue with the developers and membership management consultant were key to designing a buildable interface.

Sourcing pictures for the web turned out to be less of a challenge for The Clothworkers’ Company than had been anticipated in the brief. Access to its sources of images with a design eye revealed high-quality pictures. So instead of recommending additional sources, I’ve helped the organisation look differently at the resources it has.

The programme of design has continued, redesigning the events calendar in a compact, brand-consistent format, designing an exhibition panel for its Chris Ofili tapestry The Caged Bird’s Song and its Blue Book membership listings.

I’ve redesigned membership magazine The Clothworker to bring it into line with the annual review and members’ supplement.

For a second annual review and members’ supplement, I’ve continued and developed design and adapted the process to build in our client’s capacity to edit on the page. I’ve built on this with a templating exercise to equip The Clothworkers’ Company with all of the resources it needs to bring layout of its print communications in-house.

Our latest project in our programme of work has been art direction of the new Clothworkers’ Foundation website, built by Woven agency, to bring it into line with print communications and make it an engaging, easy-to-use site for grant applicants.

The Clothworkers’ Foundation website can be found here;
The Clothworkers’ Company annual review can be found here;
The Clothworkers’ Foundation annual review can be found here.